Emi UCHIDA - 内田 江美


oil and charcoal on canvas

Biography
The "daily life" of creating art has been with me for as long as I can remember.
Since his parents were in business, he was given a piece of paper and a pen and told to try drawing with it. At a young age, she was asked to design a poster for a kindergarten.
After graduating from the Women's College of Art and Design, she became a textile designer for apparel.
Her teachers and other adults around her told her, "You can't make a living as an artist, so you should study design so that you can get a good job,
I proceeded in that way. However, he wanted to try his hand as an artist, and after working there for four and a half years, he resigned from that company.
Meet Norman Tallman, an art dealer and art collector
When Emi Uchida was still unknown, Tallman added her work to his private collection. He hung her works in his bedroom and looked at them before going to bed.
She would then hang it in her bedroom to watch before going to bed, and it would be the first work she saw when she woke up. Two years later, in 2014, the Tallman Collection began to carry her work.
The Tallman Collection. It was the first time for a gallery specializing in contemporary Japanese prints to handle works by artists who were not printmakers.
After Takashi Murakami and Yayoi Kusama, I was next.
2016 Solo exhibition at Gallery 101 in Taipei 101, a landmark tower in Taiwan. At the time, Takashi Murakami and Yayoi Kusama were the only two Japanese artists to hold solo exhibitions.
Takashi Murakami and Yayoi Kusama were the only two Japanese artists to hold a solo exhibition. The exhibition attracted a great deal of attention, and the works were sold out.
I want to pursue a way of playing lines that is instantly recognizable as "This painting is by Emi Uchida.
I was sketching on Inujima Island, where I was living at the time. A passerby said to me, "Your lines are unique and interesting,
I ended up with the style of putting lines in the picture plane. I thought, "This looks like that artist," and if there is a shadow of someone else somewhere, it is not an original work.
One important thing in creating a work of art is that it should be original. Therefore, we pursue originality to the extent that we can tell at a glance, just by looking at the work, "Oh, that's his work.
I pursue originality to the point where you can tell just by looking at the work, "Oh, that's his work. I draw lines persistently, persistently, and pursue works with originality that are even more intense and piercing to the heart.
I am pursuing works that are more intense and piercing.

Emi UCHIDA - oil and charcoal on canvas


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